|
|
Born in Salt Lake City, UT |
|
|
Lives and works in Los Angeles |
Education |
|
2001
|
Bachelor of Fine Arts, painting/drawing emphasis, University of Utah |
Selected Exhibitions |
|
|
2020
|
High Beams #2, Gallery ALSO, Los Angeles, CA |
|
|
Artists and Poems, Suturo online gallery platform |
|
|
Baker's Dozen, Torrance Art Museum, Torrance, CA |
|
|
The Five Facets of Humanity, Fellows of Contemporary Art, Los Angeles, CA |
|
|
CO/LAB 5, Torrance Art Museum, Torrance, CA (canceled due to pandemic) |
|
|
We Are Here / Here We Are, Durden and Ray, 100 artists at locations around Los Angeles County |
|
|
Return to Aus, Galerie Pompom, Sydney, Australia |
|
|
Space is Noise (curatorial), Noysky Projects, Los Angeles, CA |
|
|
The Happy House, SPRING/BREAK Art Show, Los Angeles, CA |
|
2019
|
Knock on Wood, Plummer Park Long Hall, West Hollywood, CA |
|
|
Regime of Images, Durden and Ray, Los Angeles, CA |
|
|
Set Today / Set Future, Galeri Mod, Istanbul, Turkey |
|
|
Empedocles' Ghost, KRÆ syndikatet, Copenhagen, Denmark |
|
|
A Matter of Public Record, Fine Art Complex 1101, Tempe, AZ |
|
|
CO/LAB 4, Torrance Art Museum, Torrance, CA |
|
|
Supermarket Art Fair, Stockholm, Sweden |
|
|
By and By Hope for the Future, Durden and Ray, Los Angeles, CA |
|
|
Dreams Upon Waking, MŰTŐ, Budapest, Hungary |
|
|
SPRING/BREAK Art Show, Los Angeles, CA |
|
|
QiPO Art Fair, Mexico City, Mexico |
|
|
Soft Core #6, The Riveter, Marina Del Rey, CA |
|
2018
|
Los Angeles is, Once Again, Temple University, Rome, Italy |
|
|
Synthetic Shorelines, Durden and Ray, Los Angeles, CA |
|
|
Fool's Gold (curatorial), Noysky Projects, Los Angeles, CA |
|
|
Beyond the Age of Reason: Mythos vs. Ethos, San Diego Art Institute, San Diego, CA |
|
|
LA Looking, LAVA Projects, Los Angeles, CA |
|
|
A Matter of Public Record, Durden and Ray, Los Angeles, CA |
|
|
Regeneration, site-based installation, August 31, Parowan Canyon, UT |
|
|
Golden Underbelly, Coop Gallery, Nashville, TN |
|
|
Dragnet: 832, Durden and Ray, Los Angeles, CA |
|
|
Collectivity, UCCS Gallery of Contemporary Art, Colorado Springs, CO |
|
|
Inverted Realities, Korean Cultural Center, Los Angeles, CA |
|
|
Supermarket Art Fair, Stockholm, Sweden |
|
|
Between Post and Pre, Durden and Ray, Los Angeles, CA |
|
|
Nathan Vincent: Let's Play War! (curatorial), Noysky Projects, Los Angeles, CA |
|
|
Watch List, Other Places Art Fair, San Pedro, CA |
|
|
Inverted Realities, McNish Gallery — Oxnard College Art, Oxnard, CA |
|
2017
|
Static, Durden and Ray, Los Angeles, CA |
|
|
Stepping Into the Radiant Future, LAST Projects, Los Angeles, CA |
|
|
Soul Case, Durden and Ray, Los Angeles, CA |
|
|
A Narrow Passage (curatorial), Noysky Projects, Los Angeles, CA |
|
|
Entangled Loci, HilbertRaum, Berlin, Germany |
|
|
Don Porcella: Everything Must Go (curatorial), Noysky Projects, Los Angeles, CA |
|
|
Hexon/Hexoff (curatorial), Noysky Projects, Los Angeles, CA |
|
2016
|
MAS Attack, Torrance Art Museum, Torrance, CA |
|
2015
|
Where the Two Meet, Noysky Projects, Los Angeles, CA |
|
|
Ephemeral Objects, San Diego Art Institute, San Diego, CA |
|
|
MAS Attack, San Diego Art Institute, San Diego, CA |
|
2014
|
Open Studios, Industry City Studios, Brooklyn, NY |
|
2012
|
Open Studios, GO Brooklyn Museum, Brooklyn, NY |
|
|
POW: Pop Now (curatorial), TNC Gallery, New York, NY |
|
|
Scope Art Show, Mindy Solomon Gallery, New York, NY |
|
2011
|
Scope Art Show, Mindy Solomon Gallery, Miami, FL |
|
|
Bridges, Trees, Skulls and Other Treasure Trails, NARS Gallery, Brooklyn, NY |
|
|
Texas Contemporary, Mindy Solomon Gallery, Houston, TX |
|
|
(e)merge Art Fair, Independently represented, Washington, D.C. |
|
|
Painters x 10, TNC Gallery, New York, NY |
|
2010
|
Ready, Set, Create, NARS Gallery, Brooklyn, NY |
|
|
Round the Mulberry Bush, NARS Gallery, Brooklyn, NY |
|
2009
|
Artist Salon #2, NARS Gallery, Brooklyn, NY |
|
|
Open Studios, NARS Foundation, Brooklyn, NY |
|
|
African Americana, Brennan Gallery, Jersey City, NJ |
|
2008
|
Tugboats: Night and Day, Noble Maritime Collection — Snug Harbor, Staten Island, NY |
Awards and Grants |
|
2019
|
Artist grant: Knock on Wood, The Arts and Cultural Affairs Commission, City of West Hollywood |
|
2018
|
Merit of recognition: Weho Arts: The Plan, Americans for the Arts Public Art Network |
|
2017
|
Artist grant: WeHo Arts: The Plan, data visualizations for City of West Hollywood |
Residencies |
|
2022
|
Tsung-Yen Artist Village and Cultural Center: Tianan City, Taiwan |
Curatorial Projects |
|
2020
|
High Beams #1, Durden and Ray, Los Angeles, CA |
|
|
We Are Here / Here We Are, Durden and Ray, 100 artists from all around Los Angeles County |
|
|
Vabianna Santos: Space is Noise, Noysky Projects, Los Angeles, CA |
|
|
The Happy House, SPRING/BREAK Art Show, Los Angeles, CA |
|
2019
|
Knock on Wood, Plummer Park Long Hall, West Hollywood, CA |
|
|
Empedocles' Ghost, KRÆ syndikatet, Copenhagen, Denmark |
|
|
Arcadia: Visions and Prophecies, Durden and Ray, Los Angeles, CA |
|
|
Meat and Mysticism, Noysky Projects, Los Angeles, CA |
|
2018
|
Fool’s Gold, Noysky Projects, Los Angeles, CA |
|
|
Nathan Vincent: Let's Play War!, Noysky Projects, Los Angeles, CA |
|
2017
|
Watch List, Durden and Ray, Other Places Art Fair, San Pedro, CA |
|
|
Don Porcella: Everything Must Go, Noysky Projects, Los Angeles, CA |
|
|
Hexon/Hexoff, Noysky Projects, Los Angeles, CA |
|
2012
|
POW: Pop Now, TNC Gallery, New York, NY |
Selected Publications |
|
2020
|
Knight, Christopher: "Review: Miss seeing art? 100 artists come to the rescue with work in public view across L.A.," Los Angeles Times, print and online |
|
|
Preston-Zappas, Lindsay: "Art Insider May 19: Viewing art by car is becoming the new norm," KCRW, online and radio |
|
|
Stromberg, Matt: "Pop-up outdoor art shows in LA fill a need for real-life art experiences," The Art Newspaper, online |
|
|
Remenchick, Jennifer: "An Exhibition Across Los Angeles Takes on New Meanings in Times of Protest," Hyperallergic, online |
|
|
Miranda, Carolina: "Dispatches from Hither and Yonder," Los Angeles Times, online |
|
|
"34 Things to Do in L.A. This Week While You’re Safer at Home," We Like LA, online |
|
|
Dambrot, Shana Nys: "Arts at Home: May 14-17," LA Weekly, print and online |
|
|
Dambrot, Shana Nys: "More Than a Walkthrough: Galleries Get Creative in Thier Digital and Analog Adaptations," LA Weekly, online |
|
|
"While People Stay Home Art Takes a Step Outside in WeHo and L.A. County," WeHoVille, online |
|
|
Dambrot, Shana Nys: "Spring/Break Art Fair's Los Angeles Excess," LA Weekly, online |
|
|
Heitzman, Lorraine: "Spring/Break, The Art Fair Artists Love," Art and Cake, online |
|
|
Stromberg, Matt: "Your Concise Guide to Los Angeles Frieze Week 2020," Hyperallergic, online |
|
2019
|
Boemio, Camilla: "As Brilliant as the Sun," Vanillaedizioni | Image snc, print book |
|
2018
|
Davis, Genie: "Between Self and Soul: Synthetic Shorelines", Riot Material, online |
|
|
Boemio, Camilla: "Los Angeles a Roma", Exibart, online |
|
|
Clouse, Billy: "Rebuilding the Forest with Light", The Thunderground, online |
|
|
Mann, Court: "'Regeneration' at Parowan Canyon", Deseret News, online and print newspaper |
|
|
Shoup, Mikayla: "From Devastation and Controversy, 'Regeneration' Art Exhibition to Project Onto Brian Head Burn Scar", KSL News / St. George News, online |
|
|
Carlson, Amanda: "Risks Aren't Just for Artists (We're Looking to You, Government)", Americans for the Arts, online |
|
|
Baumann, Sacha: "The Artifact", Full Blede, print magazine |
|
|
“Meet Sean Noyce”, Voyage LA, online |
|
|
Gipe, Lawrence: “Artists You Should Know: Sean Noyce”, Fabrik, print and online |
|
|
Davis, Genie: “Beyond the Age of Reason at San Diego Art Institute”, Art and Cake, online |
|
|
Quinn, Patrick: “A Matter of Public Record at Durden and Ray,” Art and Cake, online |
|
|
Davis, Genie: “Noysky Projects: Cutting Edge Art on Hollywood Boulevard”, Only in Hollywood, online |
|
2017
|
Zellen, Jody: “STATIC at Durden and Ray”, Art and Cake, online |
|
|
Davis, Genie: “Static Clears the Air at Durden and Ray”, Diversions LA, online |
|
|
“Durden and Ray Presents 'Soul Case'”, Fabrik, online |
|
|
“City Celebrates the Launch of 'WeHo Arts: The Plan'”, WeHoVille, online |
|
|
Williams, Diane: “Los Angeles Art Collectives You Should Check Out”, Art and Cake, online |
|
|
Knowlton, MP: “Don Porcella: Everything Must Go”, ArtBlitz LA, online |
|
|
Quinn, Patrick: “'Everything Must Go' — Don Porcella's Solo Show at Noysky Projects”, Art and Cake, online |
|
2015
|
“San Diego Art Institute Presents 'Ephemeral Objects'”, ARC the Magazine, online |
|
|
Burstein Hewitt, Lonnie: “SDAI MAS Attack Art for Artists Sake”, Picked Raw Peeled, online |
|
2012
|
Teo, Ginnie: “Five Brooklyn Artists Work ‘Pop’ at LES Exhibit”, New York Daily News, online and print newspaper |
|
2011
|
“Volume 15”, Studio Visit Magazine, print book |
|
|
Boyd, Robert: “Texas Contemporary Art Fair”, The Great God Pan is Dead, online |
|
|
Judkis, Maura: “The (e)merge Art Fair”, The Washington Post, online |
|
|
Judkis, Maura: “(e)merge Art Fair to Feature Artists from 15 Countries”, The Washington Post, online and print newspaper |
|
2009
|
Lieberman, Rhonda: “Assemblage Line”, Artforum, online |
|
|
“Daily Dose Pick, P.S.1 Open Studios”, Flavorpill, online |
|
2008
|
Mak, Gerry: “New Illustration”, Lost At E Minor, online |
Radio & Podcasts |
|
2020
|
Artful Walkabout Virtual Tour with Kendra Roberts and Jodi Mikesell: "Interview with Sean Noyce"; iTunes and online |
|
|
Articulation by CuratorLove: "Togetherness: the art of being grateful for one another"; iTunes and online |
|
2019
|
Sidebar with John Duran: "Interview with Sean Noyce and Katya Usvitsky"; iTunes and online |
Lectures & Artist Talks |
|
2020
|
Personal Contacts #1, Zoom artist talk and curatorial walk-through with Kimberly Morris, Durden and Ray, Los Angeles, CA |
|
2019
|
Knock on Wood artist talk and curatorial walk-through, Plummer Park, West Hollywood, CA |
|
|
TAM Forum artist talk on managing an artist-run space, Torrance Art Museum, Torrance, CA |
|
|
Empedocles' Ghost artist talk and curatorial walk-through, Warehouse9, Copenhagen, Denmark |
|
2013
|
Guest lecture, slide presentation and critique session, Pratt Institute, New York, NY |
